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Shakespeare and Posthumanist Theory: Shakespeare and Theory

Autor Karen Raber
en Limba Engleză Paperback – 18 mar 2020
Shakespeare and Posthumanist Theorycharts challenges in the field of Shakespeare studies to the assumption that the category "human" is real, stable, or worthy of privileging in discussions of the playwright's work. Drawing on a variety of methodologies - cognitive theory, systems theory, animal studies, ecostudies, the new materialisms - the volume investigates the world of Shakespeare's plays and poems in order to represent more thoroughly its variety, its ethics of inclusion, and its resistance to human triumphalism and exceptionalism. Karen Raber, a leading scholar in the field, clearly and cogently guides the reader through complex theoretical terrain, providing fresh, exciting readings of plays includingOthello,The Tempest,Titus Andronicus,Troilus and CressidaandHenry IV Part 1.
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Specificații

ISBN-13: 9781474234443
ISBN-10: 1474234445
Pagini: 216
Ilustrații: 5 bw illus
Dimensiuni: 129 x 198 x 16 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Shakespeare and Theory

Locul publicării:London, United Kingdom

Caracteristici

Provides new readings of major Shakespeare plays such asOthelloandThe Tempest, showing how Shakespeare studies can benefit from reading through a posthumanist lens

Notă biografică

Karen Raberis Professor of English at the University of Mississippi, USA, specializing in early modern literature and culture. She has published extensively in the fields of gender and early modern women writers, animal studies, and ecostudies.

Cuprins

List of IllustrationsSeries Editor's PrefaceAcknowledgementsChapter 1: We Have Never Been Humanist: Genealogies of Posthumanism Chapter 2: Posthuman Cosmography Chapter 3: Bodies and Minds Chapter 4: Neither Fish nor Fowl Chapter 5: TechnoBard Chapter 6: Post-posthumanism? Back to the FutureNotesBibliographyIndex

Recenzii

An excellent orientation to this theory and practice that will interest multiple audiences. In no-nonsense prose, Rabersets out the intellectual genealogy of posthumanism.