Shakespeare and Reception Theory: Shakespeare and Theory
Autor Nigel Wood Dr Evelyn Gajowskien Limba Engleză Paperback – 29 iun 2022
- a clear definition of a particular theory;
- a survey of its major theorists and critics;
- an analysis of its significance in Shakespeare studies;
- a summary of relevant political, social and economic contexts;
- a wealth of suggested resources for further investigation.
Reception Theory provides readers with a unique overview and understanding of the ways in which both audiences and readers have reacted to Shakespeare's works historically and in the present. This study demonstrates how recent emphases on a reader's and a spectator's role in the creation of meaning might allow us to contemplate Shakespeare's work in fresh and often provocative ways. Among the plays included as case studies are A Midsummer Night's Dream, Hamlet, The Tempest, King Lear and Henry V. Shakespeare and Reception Theory pays close attention to early modern modes of interaction in the playhouse alongside more recent assumptions that underlie spectating and performing.
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Specificații
ISBN-13: 9781350200906
ISBN-10: 1350200905
Pagini: 208
Ilustrații: 4 bw illus
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.21 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Shakespeare and Theory
Locul publicării:London, United Kingdom
ISBN-10: 1350200905
Pagini: 208
Ilustrații: 4 bw illus
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.21 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Shakespeare and Theory
Locul publicării:London, United Kingdom
Caracteristici
It
brings
together
interests
in
theory
with
performance
and
it
addresses
basic
questions
regarding
the
status
and
potential
of
a
playtext
Notă biografică
Nigel
Woodis
Professor
of
Literature
at
Loughborough
University,
UK.
He
has
served
as
advisor
to
the
RSC
and
Royal
National
Theatre
on
Shakespeare
productions
and
directed
several
of
Shakespeare's
plays.
He
editedShe
Stoops
to
Conquer
and
Other
Eighteenth-Century
Comedies(2007),
and
co-edited
with
David
LodgeModern
Theory
and
Criticism(2008).
Cuprins
Series
Editor's
PrefaceAcknowledgementsIntroductionChapter
1.
First
Principles
Chapter
2.
The
Role
of
the
Spectator
and
Reader
Chapter
3.
Literary
Communities
and
Affective
ExperienceChapter
4.
The
Resistant
Reader
Chapter
5.
Shakespeare
and
Public
Responses
ConclusionAppendixNotesReferencesIndex