Vanity Fair
Autor William Makepeace Thackerayen Limba Engleză Hardback – 26 sep 1991
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Specificații
ISBN-13: 9781857150124
ISBN-10: 1857150120
Pagini: 800
Ilustrații: Illustrations
Dimensiuni: 139 x 211 x 42 mm
Greutate: 0.81 kg
Editura: EVERYMAN
Locul publicării:United Kingdom
ISBN-10: 1857150120
Pagini: 800
Ilustrații: Illustrations
Dimensiuni: 139 x 211 x 42 mm
Greutate: 0.81 kg
Editura: EVERYMAN
Locul publicării:United Kingdom
Recenzii
"The only English novel which...challenges comparison with War and Peace" -- John Carey "The best thing he ever wrote - sharp, brilliant, touching, clever and cruel, with an unforgettable heroine" -- Joanna Trollope "Witty, sexy, sandy-haired Becky Sharp, whose impoverished background explains her hunger for rich men and high position. She is a rebel from the very first chapter of Thackeray's Vanity Fair. Her one final act of kindness derives from her constant virtue: seeing things as they are" -- Maggie Gee Independent "A terrific book - bold, funny, scathing and quite unpredictable" -- Al Murray "Becky Sharp may be one of literature's great schemers, but she's also one of its most memorable and entertaining. More rounded than almost all the simpering Victorian dolls who followed, she alone is worth the read" The Times
Notă biografică
William Makepeace Thackeray, whose satiric novels are often regarded as the great upper-class counterpart to Dickens's panoramic depiction of lower-class Victorian society, was born on July 18, 1811, in Calcutta, India. His father, a prosperous official of the British East India Company, died four years later, and at the age of six Thackeray was sent to England to be educated. After graduating from the Charterhouse School in London, he entered Trinity College, Cambridge, in 1829 but left the following year without taking a degree. After reading law for a short time at the Middle Temple he moved to Paris in 1832 to study art. Although he eventually abandoned the idea of painting as a career, Thackeray continued to draw throughout his life, illustrating many of his own works. When financial reversals wiped out his inheritance, he resettled in London and turned to journalism for a livelihood. By then he had married Isabella Shawe, a young Irishwoman with whom he had three daughters.
Thackeray's earliest literary success, The Yellowplush Correspondence, a group of satiric sketches written in the guise of a cockney footman's memoirs, was serialized in Fraser's Magazine beginning in 1837. Catherine (serialized 1839-40; published 1869), his first novel, parodied the crime stories popular in Victorian England. Under the name Michael Angelo Titmarsh, the most famous of his many pseudonyms, Thackeray turned out The Paris Sketch Book (1840) and The Irish Sketch-Book (1843), two popular volumes of travel writing. The Luck of Barry Lyndon (1844), which chronicles the adventures of an Irish knave in eighteenth-century England, marked his first serious attack on social pretension. In The Book of Snobs (1848), a collection of satiric portraits originally published in Punch magazine (1846-47), he lampooned the avarice and snobbery occasioned by the Industrial Revolution.
Vanity Fair, Thackeray's resplendent social satire exposing the greed and corruption raging in England during the turmoil of the Napoleonic wars, brought him immediate acclaim when it appeared in Punch beginning in 1847. "The more I read Thackeray's works," wrote Charlotte Bronte, "the more certain I am that he stands alone-alone in his sagacity, alone in his truth, alone in his feeling (his feeling, though he makes no noise about it, is about the most genuine that ever lived on a printed page), alone in his power, alone in his simplicity, alone in his self-control. Thackeray is a Titan. . . . I regard him as the first of modern masters."
Thackeray's earliest literary success, The Yellowplush Correspondence, a group of satiric sketches written in the guise of a cockney footman's memoirs, was serialized in Fraser's Magazine beginning in 1837. Catherine (serialized 1839-40; published 1869), his first novel, parodied the crime stories popular in Victorian England. Under the name Michael Angelo Titmarsh, the most famous of his many pseudonyms, Thackeray turned out The Paris Sketch Book (1840) and The Irish Sketch-Book (1843), two popular volumes of travel writing. The Luck of Barry Lyndon (1844), which chronicles the adventures of an Irish knave in eighteenth-century England, marked his first serious attack on social pretension. In The Book of Snobs (1848), a collection of satiric portraits originally published in Punch magazine (1846-47), he lampooned the avarice and snobbery occasioned by the Industrial Revolution.
Vanity Fair, Thackeray's resplendent social satire exposing the greed and corruption raging in England during the turmoil of the Napoleonic wars, brought him immediate acclaim when it appeared in Punch beginning in 1847. "The more I read Thackeray's works," wrote Charlotte Bronte, "the more certain I am that he stands alone-alone in his sagacity, alone in his truth, alone in his feeling (his feeling, though he makes no noise about it, is about the most genuine that ever lived on a printed page), alone in his power, alone in his simplicity, alone in his self-control. Thackeray is a Titan. . . . I regard him as the first of modern masters."
Caracteristici
Part of Alma's Evergreen series, this new edition of Vanity Fair contains a carefully selected bibliography and extensive notes on the text together with extra material on the author's life and works.
Cuprins
Before the curtain; Vanity Fair, chs. 1–67.