Vanity Fair
Autor William Makepeace Thackeray Spus de Emma Fielding, Full Casten Limba Engleză CD-Audio – 2 noi 2016
Becky Sharp and Amelia Sedley are best friends at Miss Pinkerton's Academy for Young Ladies. On leaving school, Becky looks for a rich man to support her, while Amelia meets her old friend Dobbin. Becky takes a job in the service of Sir Pitt Crawley, and uses her charm to hook his dashing son. However, marriage does not provide the fortune she seeks. Meanwhile, Amelia rejects Dobbin and becomes engaged to the handsome George Osborne--but destiny has some shocks in store for her, too. As time goes by, their fortunes rise and fall. Thackeray's classic satire of passion and ambition, first published in 1847 and 1848, is a deliciously ironic portrait of English society and its mores. Unabridged.
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Preț: 83.44 lei
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Specificații
ISBN-10: 1785295209
Pagini: 1
Dimensiuni: 152 x 142 x 15 mm
Greutate: 0.11 kg
Editura: BBC Audio A Division Of Random House
Descriere
Caracteristici
Notă biografică
Thackeray's earliest literary success, The Yellowplush Correspondence, a group of satiric sketches written in the guise of a cockney footman's memoirs, was serialized in Fraser's Magazine beginning in 1837. Catherine (serialized 1839-40; published 1869), his first novel, parodied the crime stories popular in Victorian England. Under the name Michael Angelo Titmarsh, the most famous of his many pseudonyms, Thackeray turned out The Paris Sketch Book (1840) and The Irish Sketch-Book (1843), two popular volumes of travel writing. The Luck of Barry Lyndon (1844), which chronicles the adventures of an Irish knave in eighteenth-century England, marked his first serious attack on social pretension. In The Book of Snobs (1848), a collection of satiric portraits originally published in Punch magazine (1846-47), he lampooned the avarice and snobbery occasioned by the Industrial Revolution.
Vanity Fair, Thackeray's resplendent social satire exposing the greed and corruption raging in England during the turmoil of the Napoleonic wars, brought him immediate acclaim when it appeared in Punch beginning in 1847. "The more I read Thackeray's works," wrote Charlotte Bronte, "the more certain I am that he stands alone-alone in his sagacity, alone in his truth, alone in his feeling (his feeling, though he makes no noise about it, is about the most genuine that ever lived on a printed page), alone in his power, alone in his simplicity, alone in his self-control. Thackeray is a Titan. . . . I regard him as the first of modern masters."