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Vanity Fair: A Novel without a Hero: Cambridge Library Collection - Fiction and Poetry

Autor William Makepeace Thackeray
en Limba Engleză Paperback – 2 ian 2013
The quintessential satire of life in early nineteenth-century Britain, Vanity Fair is a panoramic tour of English social strata, charting the rise and fall of the opportunistic Becky Sharp. Rejected by several publishers before finding a place with Bradbury and Evans, this 'novel without a hero' first appeared as a popular serial. The twenty parts were finally printed together in 1848, incorporating the author's own illustrations. Although William Makepeace Thackeray (1811–63) was not a debut author, this was the first of his works to bear his name on the title page; the vast scope of the novel gained him immediate critical acclaim, though reviewers often expressed misgivings about the dark portrayal of human nature. In response, Thackeray wrote that 'we are for the most part an abominably foolish and selfish people … I want to leave everybody dissatisfied and unhappy at the end of the story.'
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Specificații

ISBN-13: 9781108057059
ISBN-10: 1108057055
Pagini: 722
Ilustrații: 224 b/w illus.
Dimensiuni: 140 x 216 x 40 mm
Greutate: 0.9 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Library Collection - Fiction and Poetry

Locul publicării:Cambridge, United Kingdom

Cuprins

Before the curtain; Vanity Fair, chs. 1–67.

Descriere

First published in full in 1848, this edition of William Makepeace Thackeray's acclaimed masterwork includes his original illustrations and preface.

Recenzii

"The only English novel which...challenges comparison with War and Peace" -- John Carey "The best thing he ever wrote - sharp, brilliant, touching, clever and cruel, with an unforgettable heroine" -- Joanna Trollope "Witty, sexy, sandy-haired Becky Sharp, whose impoverished background explains her hunger for rich men and high position. She is a rebel from the very first chapter of Thackeray's Vanity Fair. Her one final act of kindness derives from her constant virtue: seeing things as they are" -- Maggie Gee Independent "A terrific book - bold, funny, scathing and quite unpredictable" -- Al Murray "Becky Sharp may be one of literature's great schemers, but she's also one of its most memorable and entertaining. More rounded than almost all the simpering Victorian dolls who followed, she alone is worth the read" The Times

Notă biografică

William Makepeace Thackeray, whose satiric novels are often regarded as the great upper-class counterpart to Dickens's panoramic depiction of lower-class Victorian society, was born on July 18, 1811, in Calcutta, India. His father, a prosperous official of the British East India Company, died four years later, and at the age of six Thackeray was sent to England to be educated. After graduating from the Charterhouse School in London, he entered Trinity College, Cambridge, in 1829 but left the following year without taking a degree. After reading law for a short time at the Middle Temple he moved to Paris in 1832 to study art. Although he eventually abandoned the idea of painting as a career, Thackeray continued to draw throughout his life, illustrating many of his own works. When financial reversals wiped out his inheritance, he resettled in London and turned to journalism for a livelihood. By then he had married Isabella Shawe, a young Irishwoman with whom he had three daughters.

Thackeray's earliest literary success, The Yellowplush Correspondence, a group of satiric sketches written in the guise of a cockney footman's memoirs, was serialized in Fraser's Magazine beginning in 1837. Catherine (serialized 1839-40; published 1869), his first novel, parodied the crime stories popular in Victorian England. Under the name Michael Angelo Titmarsh, the most famous of his many pseudonyms, Thackeray turned out The Paris Sketch Book (1840) and The Irish Sketch-Book (1843), two popular volumes of travel writing. The Luck of Barry Lyndon (1844), which chronicles the adventures of an Irish knave in eighteenth-century England, marked his first serious attack on social pretension. In The Book of Snobs (1848), a collection of satiric portraits originally published in Punch magazine (1846-47), he lampooned the avarice and snobbery occasioned by the Industrial Revolution.

Vanity Fair, Thackeray's resplendent social satire exposing the greed and corruption raging in England during the turmoil of the Napoleonic wars, brought him immediate acclaim when it appeared in Punch beginning in 1847. "The more I read Thackeray's works," wrote Charlotte Bronte, "the more certain I am that he stands alone-alone in his sagacity, alone in his truth, alone in his feeling (his feeling, though he makes no noise about it, is about the most genuine that ever lived on a printed page), alone in his power, alone in his simplicity, alone in his self-control. Thackeray is a Titan. . . . I regard him as the first of modern masters."

Caracteristici

Part of Alma's Evergreen series, this new edition of Vanity Fair contains a carefully selected bibliography and extensive notes on the text together with extra material on the author's life and works.