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Shakespeare and Queer Theory: Shakespeare and Theory

Autor Melissa E. Sanchez Dr Evelyn Gajowski
en Limba Engleză Hardback – 23 ian 2019
Shakespeare and Queer Theoryis an indispensable guide on the ongoing critical debates about queer method both within and beyond Shakespeare and early modern studies. Clearly elucidating the central ideas of the theory, the field's historical emergence from feminist and gay and lesbian studies within the academy, and political activism related to the AIDS crisis beyond it, it also illuminates current debates about historicism and embodiment.Through a series of original readings of texts includingOthello,The Merchant of Venice, andVenus and Adonis, as well as film adaptations of early modern drama including Derek Jarman'sThe TempestandEdward II, Gus Van Sant'sMy Own Private Idaho, Baz Luhrmann'sRomeo + Juliet, and Julie Taymor'sTitus, it illustrates the value of queer theory to Shakespeare scholarship, and the value of Shakespearean texts to queer theory.
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Specificații

ISBN-13: 9781474256674
ISBN-10: 1474256678
Pagini: 248
Dimensiuni: 129 x 198 x 22 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Shakespeare and Theory

Locul publicării:London, United Kingdom

Caracteristici

The definition and uses of queer theory have been especially hot topics of recent debate in early modern studies - this provides the first clear overview of the field in Shakespeare studies.

Notă biografică

Melissa E. Sanchezis Donald T. Regan Professor of English and Comparative Literature and Core Faculty of Gender, Sexuality, and Women's Studies at the University of Pennsylvania, USA.

Cuprins

AcknowledgmentsIntroduction: Shakespeare and Queer TheoryChapter 1: Queer Theory (without Shakespeare)Chapter 2: Homoeroticism in Shakespeare StudiesChapter 3: Queerness Beyond HomoeroticismChapter 4: How Queer Is the Shakespearean Canon?Chapter 5: The Politics of Form: Queer Shakespearean FilmConclusion: Whose Shakespeare?ReferencesIndex

Recenzii

Sanchez's clear and cogent book is a remarkably concise but thorough introduction to the field. It will also be indispensable to experts, who will find much of value in her perceptive analysis.
This book is beautifully written and a pleasure to read. Although, like other books in the Arden Shakespeare and Theory series, it is addressed to students and nonspecialists, it also offers a tremendous service to specialized scholars by presenting a synthesized and compelling picture of the field of early modern queer theory, honoring its diversity and heterogeneity while also showing its coherence.