Cantitate/Preț
Produs
Total produse
Vezi coșul
The Bloomsbury Handbook of Popular Music Policy de Prof Shane Homan

The Bloomsbury Handbook of Popular Music Policy: Bloomsbury Handbooks

Editat de Prof Shane Homan
en Limba Engleză Paperback – 23 aug 2023
The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 20226 lei  6-8 săpt.
  Bloomsbury Publishing – 23 aug 2023 20226 lei  6-8 săpt.
Hardback (1) 77348 lei  6-8 săpt.
  Bloomsbury Publishing – 9 feb 2022 77348 lei  6-8 săpt.

Din seria Bloomsbury Handbooks

Preț: 20226 lei

Preț vechi: 35200 lei
-43% Nou

Puncte Express: 303
Preț estimativ în valută:
3871€ • 4084$ • 3226£

Carte tipărită la comandă

Livrare economică 03-17 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781501389917
ISBN-10: 1501389912
Pagini: 496
Dimensiuni: 178 x 254 x 25 mm
Greutate: 0.73 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Handbooks

Locul publicării:New York, United States

Caracteristici

Provides new thinking about how different national histories produce different perspectives and objectives on enacting music policy

Notă biografică

Shane Homan is Associate Professor of Media, Film, and Journalism at Monash University, Australia. He is a leading international researcher on the music industries and music policy, including work with various Australian governments. He is the co-author of Popular Music and the State (2015), and co-editor of Popular Music and Cultural Policy (2015), Sounds of Then, Sounds of Now (2008), and Access All Eras (2006).

Cuprins

List of FiguresNotes on ContributorsAcknowledgements1. Introduction: Situating Popular Music PolicyShane Homan, Monash University, AustraliaPart I: Policy Contexts2. Distributing Rights and Resources: The Cultural Politics of Popular Music Policy John Street, University of East Anglia, UK3. The presence and Absence of Policy in the Digital Music Industries Daniel Nordgård, University of Agder, Norway4. Property or Status? Music and Musicians Under CopyrightThomas Dillon, Barrister, UKPart II: Policy Sectors5. Conceptualising Popular Music's Heritage as an Object of Policy: Preservation, Performance and Promotion Paul Long, Monash University, Australia, Zelmarie Cantillon, Western Sydney University, Australia, and Sarah Baker, Griffith University, Australia6. Popular Music, Policy and EducationGareth Dylan Smith, Boston University, USA, and Zack Moir, Edinburgh Napier University, UK7. Music ExportsShane Homan, Monash University, Australia8. Broadcasting and Popular Music PolicyMark Percival, Queen Margaret University, UK9. Live Music InfrastructureAdam Behr, Newcastle University, UKPart III: National Policy10. Audible, Visible and Experiential: Reflections on South Korean Popular Music PolicySoojin Kim, Korea National University of Arts, South Korea11. The Canadian Conundrum: Robust Policies Catching Up with the TimesRichard Sutherland, Mount Royal University, Canada12. The New Great Leap Forward of China: National and Local Music Policy in ChengduQian Wang, Yibin University, China13. Australian Popular Music PolicySarah Taylor, RMIT University, Australia, and Shane Homan, Monash University, Australia14. More Than Dots on Maps: Locating Live Venues in the German Music Policy FrameworkNiklas Blömeke, Paderborn University, Germany; Jan Üblacker, EBZ Business School, University of Applied Science, Bochum, Germany' Johannes Krause, Heinrich-Heine-University, Düsseldorf, Germany; Heiko Rühl, Independent Scholar, Germany; and Katharina Huseljic, Independent Scholar, Germany15. From National Identity to the Well-Being of Future Generations: Popular Music Within Devolved Welsh Policy-Making Between 1999-2020Luke Thomas, Independent Scholar, UK, and Paul Carr, University of South Wales, UKPart IV: Contemporary Debates16. Ticketing: Why Is It a Problem?Mike Waterson, University of Warwick, UK17. Gender and Popular Music PolicySam de Boise, Örebro University, Sweden, Maura Edmond, Monash University, Australia, and Catherine Strong, RMIT University, Australia18. When Music Becomes Datafied: Streaming Services and the Case of SpotifyJonas Anderson Schwarz, Södertörn University, Sweden, and Sofia Johanssson, Sodertorn University, Sweden19. Music CitiesSarah Taylor, RMIT University, Australia20. Brexit and the UK Live Music IndustryPatrycja Rozbicka, Aston University, Birmingham, UK, Adam Behr, Newcastle University, UK, and Craig Hamilton, Birmingham City University, UKBibliographyIndex

Recenzii

The Bloomsbury Handbook of Popular Music Policy is a fascinating deep dive into the efficacy of popular music policy. From the behaviour of audiences, ownership and streaming to Brexit, creative industries and urban regeneration, it offers a brilliant documentation of the factors affecting policy decisions and the impact of those decisions. I highly recommend this book as an important addition to this area of research and an excellent set text for the study of popular music.
Interest at both a practical and theoretical level in popular music policy has grown exponentially over the past decade. In the UK, the impact on the music industry of COVID, Brexit, copyright reform and venue closures are now firmly established within mainstream political discourse. This new Bloomsbury Handbook manages to expertly put many of these contemporary debates in context and provides much needed international evidence to support further strategies that practitioners can deploy in this exciting field of study.
The fast-moving nature of the contemporary music industries, politics and policy formulation make for an extremely rich but underdeveloped research field. By drawing on a combination of perspectives from around the world, this handbook offers a mixture of history, theorization, typologies and practical examples of policy in action. This means it provides not only the most detailed overview of the field to date, but also sets the agenda for future research.