The Bloomsbury Handbook to Cold War Literary Cultures: Bloomsbury Handbooks
Editat de Greg Barnhiselen Limba Engleză Paperback – 24 iul 2024
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Specificații
ISBN-13: 9781350304536
ISBN-10: 1350304530
Pagini: 456
Ilustrații: 10 bw illus
Dimensiuni: 189 x 246 x 25 mm
Greutate: 0.81 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Handbooks
Locul publicării:London, United Kingdom
ISBN-10: 1350304530
Pagini: 456
Ilustrații: 10 bw illus
Dimensiuni: 189 x 246 x 25 mm
Greutate: 0.81 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Handbooks
Locul publicării:London, United Kingdom
Caracteristici
Examines readers and writers from a very broad geographical sweep, including Taiwan, Japan, South Africa, Uganda, India and the USSR
Notă biografică
Greg Barnhisel is Professor of English at Duquesne University, USA. He is an internationally known scholar of the history of the book, modernism and the cultural Cold War, with two monographs on those topics. In 2010, he edited an anthology entitled Pressing the Fight: Print, Propaganda, and the Cold War. He is one of the editors of the journal Book History and a series editor for the 'Studies in Print Culture and the History or the Book' series at the University of Massachusetts Press.
Cuprins
IntroductionSECTION 1: PRODUCTION1. How the Communist Party Shaped Gwendolyn Brooks's Early Writing: Mary Helen Washington2. The Cold War Encyclopedic Novel: Jeffrey Severs, University of British Columbia (Canada)3. Cold War Technology and Women Poets: Linda Kinnahan, Duquesne University (USA)4. The American Long Poem Evolves, 1945-1990: Ed Brunner, Southern Illinois University (USA)5. Butler, Le Guin, and Feminist Science Fiction of the Cold War: Katlyn Williams, University of Iowa (USA) 6. Cold War Spy Fiction: Skip Willman, University of South Dakota 7. American Jewish Writers and the Eastern Bloc: Brian Goodman, Arizona State University (USA)8. Writing the Cold War in the American Academic Novel: Ian Butcher, Fanshawe University (Canada)SECTION II: CIRCULATION9. Anglo-American Propaganda and the Transition from the Second World War to the Cultural Cold War: James Smith and Guy Woodward, Durham University (UK)10. Book Diplomacy: Rósa Magnúsdóttir and Birgitte Beck Pristed, Aarhus University (Denmark) 11. Closets, Pulps, and the Gay Internationale: Jaime Harker, University of Mississippi (USA)12. Librarians, Library Diplomacy, and the Cultural Cold War, 1950-1970: Amanda Laugesen, Australian National University (Australia)13. The Transcription Centre and the Co-Production of African Literary Culture in the 1960s: Asha Rogers, University of Birmingham (UK)14. Creative Writing and the Cold War: Eric Bennett, Providence College (USA)15. How Chinese Letters Traveled to Iowa City: P Yi-hung Liu, Academia Sinica (Taiwan)16. William Faulkner as Cold War Cultural Ambassador: Deborah Cohn, Indiana University (USA)SECTION III: RECEPTION17. The Distribution and Reception of American Literature in Cold War Japan: Hiromi Ochi, Senshu University, Tokyo (Japan)18. Making a Literary Working Class in the Cultural Cold War: Nicole Moore, University of New South Wales (Australia)19. Anti-Apartheid Imagination, the Cold War-era, and African Literary Magazines: Christopher Ouma, University of Cape Town (South Africa) 20. Cuban Revolutionaries Read U.S. Writers: Russell Cobb, University of Alberta (Canada)21. "Cultural Freedom" in Cold War India: Laetitia Zecchini, CNRS Paris (France)22. Robinson Jeffers's Journey behind the Iron Curtain: Jirina Smejkalova, Charles University, Prague (Czech Republic)23. Reading for Freedom in Cold War America: Kristin Matthews, Brigham Young University (USA)
Recenzii
This handbook offers a major new reading of Cold War literature which moves right away from a view of the period as one restricted by narrow political polarities. Its coverage is global, enabling it to present an informatively diverse survey of Cold War writing which connects at every point with the cultural contexts of this literature.
Greg Barnhisel has gathered an astonishing compendium of Cold War book history and literary criticism, led by what will be recognized as his landmark introduction. Especially welcome is the extensive work done here on global literary institutions, from nonprofit foundations to conglomerate publishers to sites like the Transcription Centre, which produced English-language cultural content for distribution in newly independent African countries. We find familiar authors in less familiar contexts: William Faulkner is big in Japan; Robinson Jeffers is big in Czechoslovakia; US Jewish writers found rejuvenation in the Eastern bloc. Extremely useful for scholars of post-1945 anglophone literatures and anyone teaching about literature and the Cold War.
This book is monumental in every sense of the word-smartly organized around the broad categories of Production, Circulation, and Reception, it presents a refreshing variety of perspectives on Cold War "literary cultures." Ranging from granular discussions of encyclopedic novels and spy fiction, from queer pulps to the institutionalization of "creative writing," to the reverberations of Cold War in places like Japan, India, Cuba, The Bloomsbury Handbook to Cold War Literary Cultures is dazzling in scope, and will be absolutely essential reading for anyone with a serious interest in Cold War literature and culture.
The Bloomsbury Handbook to Cold War Literary Cultures expands the boundaries of American literary studies by staging a nuanced reckoning with American and Soviet soft power during that hardly cold but terribly long war. Postcolonial, global Anglophone studies and American studies have historically been strange bedfellows but the wide-ranging and compelling essays in this collection foreground the latent intimacies, the marriages of convenience and strategic alliances that will push us to redraw our literary world maps. This book joins the decisive and much-needed canon of exciting new works about the Cold War by making visible an array of circuits and transmissions that have revolutionized large literary, historical and cultural categories.
Greg Barnhisel has gathered an astonishing compendium of Cold War book history and literary criticism, led by what will be recognized as his landmark introduction. Especially welcome is the extensive work done here on global literary institutions, from nonprofit foundations to conglomerate publishers to sites like the Transcription Centre, which produced English-language cultural content for distribution in newly independent African countries. We find familiar authors in less familiar contexts: William Faulkner is big in Japan; Robinson Jeffers is big in Czechoslovakia; US Jewish writers found rejuvenation in the Eastern bloc. Extremely useful for scholars of post-1945 anglophone literatures and anyone teaching about literature and the Cold War.
This book is monumental in every sense of the word-smartly organized around the broad categories of Production, Circulation, and Reception, it presents a refreshing variety of perspectives on Cold War "literary cultures." Ranging from granular discussions of encyclopedic novels and spy fiction, from queer pulps to the institutionalization of "creative writing," to the reverberations of Cold War in places like Japan, India, Cuba, The Bloomsbury Handbook to Cold War Literary Cultures is dazzling in scope, and will be absolutely essential reading for anyone with a serious interest in Cold War literature and culture.
The Bloomsbury Handbook to Cold War Literary Cultures expands the boundaries of American literary studies by staging a nuanced reckoning with American and Soviet soft power during that hardly cold but terribly long war. Postcolonial, global Anglophone studies and American studies have historically been strange bedfellows but the wide-ranging and compelling essays in this collection foreground the latent intimacies, the marriages of convenience and strategic alliances that will push us to redraw our literary world maps. This book joins the decisive and much-needed canon of exciting new works about the Cold War by making visible an array of circuits and transmissions that have revolutionized large literary, historical and cultural categories.