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The Routledge Companion to Global Popular Culture de Toby Miller

The Routledge Companion to Global Popular Culture: Routledge Media and Cultural Studies Companions

Editat de Toby Miller
en Limba Engleză Hardback – 16 dec 2014
Research on popular culture is a dynamic, fast-growing domain. In scholarly terms, it cuts across many areas, including communication studies, sociology, history, American studies, anthropology, literature, journalism, folklore, economics, and media and cultural studies. The Routledge Companion to Global Popular Culture provides an authoritative, up-to-date, intellectually broad, internationally-aware, and conceptually agile guide to the most important aspects of popular culture scholarship.
Specifically, this Companion includes:
  • interdisciplinary models and approaches for analyzing popular culture;
  • wide-ranging case studies;
  • discussions of economic and policy underpinnings;
  • analysis of textual manifestations of popular culture;
  • examinations of political, social, and cultural dynamics; and
  • discussions of emerging issues such as ecological sustainability and labor.
Featuring scholarly voices from across six continents, The Routledge Companion to Global Popular Culture presents a nuanced and wide-ranging survey of popular culture research.
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Specificații

ISBN-13: 9780415641470
ISBN-10: 0415641470
Pagini: 558
Ilustrații: 50 black & white halftones
Dimensiuni: 174 x 246 x 33 mm
Greutate: 1.04 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Toby Miller: Introduction: Global Popular Culture  Part I. THEORIES  1. Vincent Mosco (Queen’s University): Political Economy  2. Anthony Quinn (Dublin Institute of Technology): Theoretically Accounting for Television Formats in the New International Division of Cultural Labour  3. Bob Hodge (University of Western Sydney): Social Semiotics  4. Helen Wood (University of Leicester): Audiences: the Lived Experience of Popular Culture  5. Graeme Turner (University of Queensland): The Media and Democratization  6. Marisol Sandoval (City University of London): Participation (Un)Limited: Social Media and the Prospects of a Common Culture  7. Kelly Gates (University of California, San Diego): Designing Affective Consumers: Emotion Analysis in Market Research  8. Shawn Shimpach (University of Massachusetts, Amherst): The Metrics, Reloaded  9. Dana Polan (New York University): Roland Barthes’s Mythologies: A Breakthrough Contribution to the Study of Mass Culture  10. Alec McHoul (Murdoch University): The Humdrum  11. Jo Littler (City University of London): Celebrity  12. Karin Wilkins (University of Texas, Austin): Celebrities in Global Development  13. Ana María Munar (Copenhagen Business School) and Richard Ek (Lund University): Relationbits: You, Me and the Other  14. Stuart Cunningham and Jon Silver (Queensland University of Technology): Studying Change in Popular Culture: A "Middle-Range" Approach  15. John Hartley (Curtin University): Externalism and Linked Brains: Popular Culture as a Knowledge-Creating Deme  Part II. GENRES  16. Scott MacKenzie (Queen’s University): De Do Do Do, De Da Da Dadaism: Popular Culture and the Avant-Garde  17. Maria Pramaggiore (Maynooth University): Privatization is the New Black: Quality Television and the Re-Fashioning of the U.S. Prison Industrial Complex (PRIC)  18. Tiffany Sostar and Rebecca Sullivan (University of Calgary): The Money Shot in Feminist Queer and Mainstream Pornographies  19. Douglas Kellner (University of California, Los Angeles): The Horrors of Slavery and Modes of Representation in Amistad and 12 Years a Slave  20. Michael G. Lacy (City University of New York, Queens): Racial Monsters, Shadows, and Inequalities in Contemporary American Cinema: Black Frankenstein Haunts Racial Neoliberalism in Changing Lanes  21. Paula Requeijo Rey (Universidad Complutense de Madrid): Nonverbal as a Key in Howard Hawks’ Cinema: The Importance of Adaptors in His Girl Friday  22. Kathleen A. McHugh (University of California, Los Angeles): The Labor of Classical Maternal Melodramas  23. Miguel Mera (City University of London): Agitprop Rap?: ‘IllManors’ and the Impotent Indifference of Social Protest  24. Timothy D. Taylor (University of California, Los Angeles): World Music  25. Silvio Waisbord (George Washington University): The Shifting Boundaries of Jazz and/in Popular Culture  26. Anamaria Tamayo Duque (Universidad de Antioquia): Body, Space and Authenticity in Shakira’s Video "My Hips Don’t Lie"  27. Leonarda Garcia-Jimenez (Universidad de Murcia), Miquel Rodrigo Alsina (Universidad de Pompeu Fabra), and Antonio Pineda (Universidad de Sevilla): "We Cannot Live in Our Own Neighborhood": An Approach to the Construction of Intercultural Communication in Television News  28. David Rowe (University of Western Sydney): Online Tabloid Newspapers  29. Jenny Kitzinger (Cardiff University): Media Representation of Science and Health: The Case of Coma  30. Sarah Berry (Portland State University): Mass Movement: Popular Culture and the End of the Corset  31. Geoff Lealand (University of Waikato): Shirley Temple: Child Star  32. Ranjani Mazumdar (Jawaharlal Nehru University): Retro in Contemporary Bombay Cinema  Part III. PLACES  33. Robert W. McChesney (University of Illinois, Urbana-Champaign): The Personal is Political: The Political Economy of Noncommercial Radio Broadcasting in the United States  34. Vicki Mayer (Tulane University): Little Hollywoods: The Cultural Impacts of Runaway Film Production  35. Bruno Campanella (Universidade Federal Fluminense): The Next Ronald Reagan? Celebrity, Social Entrepreneurism, and the Case of Brazilian TV Host Luciano Huck  36. Roy Krøvel (Oslo and Akershus University College of Applied Sciences): Solidarity Matters—Global Solidarity, Revolution and Indigenous Peoples in Latin America  37. Talitha Espiritu-Charara (Wheaton College): Performing Native Identities: Human Displays and Indigenous Activism in Marcos’ Philippines  38. Drew P. Cingel and Ellen Wartella (Northwestern University): "Like" it or Not: The Impact of Facebook and Social Networking Sites on Adolescents’ Responses to Peer Influence  39. Jim McKay (University of Queensland) and Brad West (University of South Australia): Gallipoli, Tourism and Australian Nationalism  40. Kate Oakley (University of Leeds): ‘Creativity is for People—Arts for Posh People’: Popular Culture and the UK New Labour Government  41. Natalie Fenton and Des Freedman (Goldsmith’s College, University of London): The Politics and Possibilities of Media Reform: Lessons from the UK  42. Inka Salovaara (Aarhus University): Spaces of Emotions: Technology, Media and Affective Activism  43. Anthony Fung (City University of Hong Kong), John Erni (Hong Kong Baptist University), and Frances Yang: Asian Popular Culture Review  44. Jenine Abboushi (American University of Beirut): Capitals Without Countries: Cairo and Beirut in English  45. Dominic Thomas (University of California, Los Angeles): La Sape: Fashion and Performance  46. Edson Farias (Universidade de Brasília) and Bianca Freire-Medeiros (Getulio Vargas Foundation): "Popular Culture" in a Changing Brazil

Notă biografică

Toby Miller is Emeritus Distinguished Professor at the University of California, Riverside, the Sir Walter Murdoch Professor of Cultural Policy Studies at Murdoch University, and Professor of Journalism, Media and Cultural Studies at Cardiff University. He is the author and editor of more than thirty books, including Television Studies: The Basics and The Contemporary Hollywood Reader.

Descriere

Research on popular culture is a dynamic, fast-growing domain. In scholarly terms, it cuts across many areas, including communication studies, sociology, history, American studies, anthropology, literature, journalism, folklore, economics, and media and cultural studies. The Routledge Companion to Global Popular Culture provides an authoritative, up-to-date, intellectually broad, internationally-aware, and conceptually agile guide to the most important aspects of popular culture scholarship.